Allu Arjun surprised his fans with a stunning new poster for his flick Pushpa: The Rule on his birthday. Allu Arjun, who turns 41 today, shared a poster from the film on his birthday eve on Friday. The poster features a startling new appearance for Arjun. A bejeweled Allu Arjun can be seen wearing a saree and his face is painted in blue and crimson. “Pushpa 2 the rule begins,” he simply captioned the post.
The initial glimpse shows the actor in a saree, while the new concept video shows Pushpa, who is eventually revealed to be in a forest when a trail camera discovers him alongside a tiger.
View this post on Instagram
The sequel to Pushpa: The Rise, Pushpa: The Rule, is likewise written and directed by Sukumar and stars Rashmika Mandanna and Fahadh Faasil. Dhanunjay, Rao Ramesh, Sunil, Anasuya Bharadwaj, and Ajay Ghosh round out the cast.
Devi Sri Prasad composed the soundtrack for the film, and Miroslaw Kuba Brozek shot the film. Mythri Movie Makers is in charge of the production.
Also Read: Amidst death threats,Salman Khan imports most expensive bulletproof Nissan Patrol SUV
In this poster, Allu Arjun is clad in a unique avatar. It is worth noting how Tirupathi inhabitants dress up for the local Gangamma Jathara. (a folk festival in Tirupathi and surrounding regions). The performer looked great in the Ardhanarishvara costume (Lord who is half feminine).
It’s fantastic to see filmmakers incorporating cultural components into their work. Pushpa The Rule is directed by Sukumar and produced on a massive scale by Mythri Movie Makers. The sequel will be released in theatres next year.
In the trailer teaser, Riots erupted during the search, and demonstrators began screaming “Pushpa Zindabad.” Soon after, the public is shown a film from a night camera in which Pushpa is seen rapidly covering himself with a sheet before the camera quickly cuts to a Tiger. We struggle to remain calm when he strikes his distinctive “jhukega nahi” pose.
Riots erupted during the search, and demonstrators began screaming “Pushpa Zindabad.” Soon after, the public is shown a film from a night camera in which Pushpa is seen rapidly covering himself with a sheet before the camera quickly cuts to a Tiger. We struggle to remain calm when he strikes his distinctive “jhukega nahi” pose.
